486. Amy Grant - Sharayah
From the album Unguarded
(A&M, 1985)
"Unguarded is a gutsy, dramatic move for Amy Grant. She could have sold another million copies of an Age to Age clone. Instead, she chose to work toward a tougher, leaner sound, something more akin to Cyndi Lauper than Jamie Owens-Collins.
At the sane time, Unguarded reflects a different lyric outlook – more personal, more reflective. And while songs like Fat Baby (from Age to Age) were written by Christians for other Christians who know the jargon, the songs on Unguarded are for a broader audience. I realize it’s a controversial stance, but I don’t see this as a watered-down message. Instead, it’s a message from one Christian to the world.
Old-time fans will feel more comfortable with Sharayah, a bit of catchy, immaculately crafted pop that’s closer to some of the tunes off Straight Ahead than anything else on Unguarded.
I really think that, given half a chance, Unguarded will make a significant impact in the mainstream market and expose contemporary Christian music to a whole new audience. And for those who say she selling out, it’s a matter of direction. Are we in this business to stroke the body or to take the message to a dying world? With Unguarded, Amy Grant takes the message where it’s needed most. Unguarded is a gutsy, dramatic move for Amy Grant." (source: Today'sChristianMusic.com)
485. Gald - The Reason
From the album Beyond a Star
(Myrrh, 1980)
"Glad was, for a time, one of the most influential and important groups in Christian Music. An incredibly high standard of quality, interesting and creative arrangements and some of, if not the best, harmonies in CCM history.
After their debut showed a much more 'progressive' rock and jazz influence, Beyond a Star would carry their original form into the 1980′s with more pop and the introduction of the a capella vocal style they would later by primarily known for.
Though less progressive than their debut the album still contains several classic influences such as the Yes sounding Away and a touch of the 2nd Chapter of acts on Sing a New Song. Iron Sharpens Iron has a Steely Dan or Alan Parsons Project feel.
The opening track, The Reason would introduce the a capella vocal style that would end up being the trademark for the band through much the 1980′s. In fact, their biggest selling album would be the first A Capella Project, going gold and beyond. This would not have been possible without the perfect combination of voices the band possessed.
Many members are still actively involved in music, most notably Bob Kauflin, who is spearheading a great modern worship label based on more doctrinally solid lyrical content than what is found in most of today’s worship music." (source: CCM's Best Albums)
Here is the original studio released video for the song:
484. Daughtry - What About Now
From the album Daughtry
(RCA/19, 2006)
"No one has parlayed a defeat on American Idol into an overwhelming successful music career quite like Chris Daughtry and his last named titled band. I remember watching that years 'try outs' with my family and we all immediately called Daughtry the early favorite. His personable demeanor and impressive rock edged vocals were so superior to the competition we were wondering why they even bothered with Hollywood and weekly eliminations.
Then the best thing that ever could happen to Daughtry took place when he was eliminated several weeks before finals. This allowed the man and artist to create music he desired rather than being forced into a particular pop model that other 'winners' have been dragged into. After turning down the band Fuel to be their new lead singer he went into the studio with his own band and recorded a monster of a record.
I will admit my initial reaction to Daughtry was heightened when I began to notice him wearing T-shirts of bands like Day of Fire, Red and Third Day. It was then I discovered that he was part of a Christian band called Absent Element and has been very vocal in his faith though always avoided being a part of the CCM world.
His worldview, though, is evident on both albums, especially on the eponymous debut. Christian radio was very receptive to songs like Home, It’s Not Over and What About Now. Christian rock radio expanded the list. This not an evangelical treatise but rather a collection of songs written from a Christian worldview but for a wider and more universal audience.
Daughtry appears to be the best 'artist' to arise from the 9 or so seasons of American Idol and for all the pitfalls of such a nationwide talent show, it’s comforting to know that someone like Daughtry can finally be heard. That says quite a bit about the hundreds of record executives that received Daughtry’s music and never even feigned interest. Makes one wonder how much more great music is lost by short-sided record companies too busy trying to duplicate what everyone else is already doing." (source: CCM's Best Albums)
What about now was the seventh single released from the album but actually the fourth to reach the top 20 (at #18), 2 months before it was officially released as a single.
Here is the original studio released video for the song:
483. Casting Crowns - Jesus Friend of Sinners
From the album Come to the Well
(Beach Street Records, 2011)
"Mark Stuart, lead singer of retired band Audio Adrenaline, was asked by an interviewer before the band's last concert what he thought constituted realChristian music. Was it straight up worship music with vertical lyrics of praise? Was it devotional music written to encourage believers in their walk or was it any music made by a Christian, even if the lyrics were about silly subjects or were more cryptic and wide-ranging? Stuart took a moment to answer, and then replied 'there's room enough for all of it.'
Those are wise words; the kingdom is big enough for all kinds of music. And there will always be a place in Christian Music for a heart-on-their-sleeve, spiritually direct band like Georgia's Casting Crowns, who boldly claim their mission is to 'set discipleship to music.'
Their new release, Come To The Well, continues the band's series of strongly themed albums (all with evocative cover art, Come To The Well included) that serve to hammer home a spiritual lesson in approximately twelve songs or less.
...
I suspect to accomplish the task of speaking hard truths to the Church, like in the song Jesus, Friend Of Sinners where two voices plead with Jesus to 'open our eyes up to the world at the end of our pointing fingers,' Casting Crowns had adopted a middle of the road Nashville sound that is never too threatening, but rocks competently when it needs to and serves the songs' subjects well.
So, hats off to Casting Crowns, who with Come To The Well skillfully walk the thin tightrope act of balancing a heart for ministry and discipleship with a broadly appealing (if sometimes too broadly appealing) pop rock soundtrack." (source: CCM's Best Albums)
Here is the original studio released video for the song:
In this video Mark Hall talks about the story behind the song:
482. Burlap to Cashmere - Eileen's Song
From the album Anybody Out There?
(A&M, 1998)
"Many artists claim originality, but very few have matched their preview hyperbole with the goods quite like this project. Gypsy folk rock? Latin groove pop? Euro art house? What the heck? Band leaders and cousins Steven Delopoulos and John Phillippidis created something so unique and intriguing it was hard to know just how the industry would respond.
They responded well indeed. With a decent mainstream record distribution deal, the band was poised to change the music world on both sides of the artistic gulf. Then they disappeared for 13 years only to return this week with the years best album, their self-titled sophomore release.
Born out of Marymount Manhattan College, the two cousins formed a singing and acting troupe that incorporated ethnic music inspiration, intelligent script writing and acting, and a flare for the original. The band grew with friends and family members until they were discovered by A&M Records four years later and released Anybody Out There?
The great joy and utter frustration in reviewing this album is that there are so few reference points for comparison. How many artists can reflect Jose Feliciano, Van Morrison, Gordon Lightfoot and a Greek/Gypsy folk all in one song while sounding nothing like the aforementioned artists and styles? Seriously, this album is just that uniquely wonderful. Oddly enough, the above is accomplished with an immediately likable and commercial appeal!
...
Christian radio picked up on several songs. One of those is the beautiful, mid-tempo balled , “Eileen.” This dreamy song revels in its simplicity while just drawing the listener in completely. It is a song of hope for the struggling. The image of an angel sharing its wing one with another is very impacting and lasting.
...
There are really not forgettable songs on the album.
Then they disappeared. Several members (most notably Steven Delopoulos) would release solo projects and less than a handful of live or bootleg projects, but no sophomore studio release until just this week. And, as mentioned above, it is brilliant!
It may not be the greatest “debut” album in CCM history, but I cannot think of too many others that can compare. This is also one of those “friendship breaker” albums where someone’s opinion of the album impacts ones opinion of the person." (source: CCM's Best Albums)
Here is the original studio released video for the song:
481. Garth Brooks - Unanswered Prayers
From the album No Fences
(Capitol Nashville, 1990)
"Essentially, Garth Brooks's second album, No Fences, follows the same pattern as his debut, but it is a more assured and risky record. Brooks still performs neo-traditional country, such as the honky tonk hit Friends in Low Places, but now he twists it around with clever pop hooks. Those pop/rock influences are most apparent on the ballads, which alternate between sensitive folk-rock and power ballad bombast. But what makes No Fences such a success is how seamlessly he blends the two seemingly opposing genres, and how he chooses a set of material that makes his genre-bending sound subtle and natural. Of course, it doesn't hurt that the songs are consistently entertaining, either." (source: AllMusic.com)
Unanswered Prayers peaked at #1 on the Billboard Country chart. Here is the original album version of the song:
480. Bone-Thugs-n-Harmony - Tha Crossroads
From the album E. 1999 Eternal
(Ruthless/Relativiy, 1995)
"Following the surprise success of Bone Thugs-N-Harmony's summer 1994 anthem Thuggish Ruggish Bone, the group returned a year later with E 1999 Eternal, an impressive debut full-length that dismisses any notion that the group was merely a one-hit wonder. From beginning to end, the album maintains a consistent tone, one that's menacing and somber, produced entirely by DJ U-Neek, a Los Angeles-based producer who frames the songs with dark, smoked-out G-funk beats and synth melodies. The Bone Thugs interweave their voices well, trading off verses and harmonizing on the choruses. There are a few standout moments, most notably the Grammy-winning ballad Tha Crossroads and the feel-good welfare ode 1st of the Month, ... The intermittent tracks are good old-fashioned gangsta rap about murder, drugs, and money. In the end, E 1999 Eternal stands as one of the most accomplished, unique hardcore rap albums of the '90s, one that's often unfairly overlooked, if not dismissed entirely, because of the group's subsequent unraveling." (source: AllMusic.com)
Bone-Thugs-n-Harmony is not by any stretch a Christian band but this is definitely a Christian song. They sing:
Now tell me whatcha gonna do when there ain't no where to run (tell me what) (When judgment comes for you, when judgment comes for you) And whatcha gonna do when there ain't no where to hide (tell me what) When judgment comes for you (Cause it's gonna come for you)
God bless you working on a plan to Heaven Follow the Lord all 24/7 days, GOD is who we praise even though the devil's all up in my face But he keeping me safe and in my place, say grace For the case to race with a chance to face the judge And I betcha my soul won't budge Grudge because there's no mercy for thugs Oh what can I do it's all about our family and how we roll Can I get a witness let it unfold We living our lives to eternal our soul aye-oh-aye-oh
Prayyyyyyy, and we pray and we pray, and we pray, and we pray Everyday, everyday, everyday, everyday and we pray, and we pray, and we pray, and we pray Still we laced, now follow me roll stroll Whether is tell of his Heaven Come let's go take a visit of people that's long gone Darris, Wally, Eazy, Terry, Boo It's steadily creeping up on the family Exactly how many days we got lasting While you laughing we're passing, passing away So y'all go rest y'all souls Cause I know I'ma meet you up at the crossroads Y'all know y'all forever got love from them Bone Thugs baby (complete lyrics)
The song peaked at #1 on the Billboard Hot 100, Hot R&B/Hip-Hop Singles and Tracks and Hot Rap charts and won a Grammy Award for Best Rap Song.
Here is the original studio released promotional video the song:
479. Bob Bennett - Carpenter Gone Bad
From the album First Things First
(Maranatha! Records, 1979)
"[Bob Bennett is] One of CCM’s finest songwriters and unheralded guitar players. His warm and soothing James Taylor style vocals and music provide a stunning platform for some of the best lyrics in CCM.
Before the world of CCM became as dominated by looks and image as its secular counterpart an artist could make it simply by the impact and quality of his work. This is to say that we are fortunate that Bob Bennett’s artistry and amazing songwriting skills were not hampered by today’s ridiculous standards and superficial fan base.
The album starts with Bennett’s most successful song, Carpenter Gone Bad. The song, written from the point of view of the first century Jew, remained a Christian radio staple for many years...
The album also contains and wonderful rendition of the traditional hymn, My Redeemer Lives, with a beautiful contemporary arrangement. One other song of note is The Best, which is the other song that has remained a favorite for some three decades. Bennet’s songwriting mastery will even improve from here as the two other projects listed will show." (source: CCM's 500 Best Albums)
478. Audio Adrenaline - Kings and Queens
From the album Kings & Queens
(Spitfire, 2013)
"T'was a bittersweet day back in 2006 when Christian music said goodbye to Audio Adrenaline after two decades. With lead vocalist Mark Stuart's ongoing vocal condition worsening and the remainder of band ready to pursue other ventures, they decided to go out in a blaze of glory and bid fans farewell with one final show in Hawaii. Little did they know at the time, God was already at work writing a second act for their story…
Skip ahead six years. Summer 2012 brought us the big news that Audio Adrenaline was reforming for a huge cause. Serving as voices for The Hands & Feet Project, an Haitian orphanage the group founded in 2004, the goal of their return was to raise awareness and provide care for the orphans of Haiti, currently totaling over 800,000. While fans rejoiced that the band was back, what they didn't expect was the form in which they'd be returning.
Bassist Will McGinniss would be the only original member reprising his role, the other key roles being filled by guitarist Dave Ghazarian (Superchick), drummer Jared Byers (Bleach) and keyboardist Jason Walker (Know Hope Collective). Perhaps the biggest surprise however, was that the position of lead vocals was being filled by former 1/3 of dcTalk, Kevin Max. Following a period of disbelief, fans of both iconic bands began to warm up to the idea and envision the potential of the merger.
Whereas news of their reemergence came as a shock to fans, this had been quietly brewing for some time. A year in the making, both the band and the brains behind the new operation, including former frontman Mark Stuart, who is still involved with the group behind-the-scenes, had been hard at work in the studio crafting their return, 2013's much anticipated Kings & Queens.
To say expectations are high for this album would be obvious, and let's be honest, while there are a plethora of people rooting for these guys, there are a fair share of skeptics waiting to see it fail. Little do said naysayers realize however, that these ultimate 'underdogs' have equipped themselves for what could be one of the great comebacks Christian music has ever seen.
He Moves You Move opens the project on a squeaky pop note. A surefire earworm, the song follows along the same bouncy lines as their classic, Get Down, but manages to showcase the new line-up in a way that's completely their own. The moving first single, Kings & Queens follows next, and brings their personal mission of orphan care into the spotlight. A passionate rallying cry, it's impossible to hear the song without being reminded of our duty as Jesus' followers to extend His same selfless love to 'the least of these' around the world.
...
I echo the thoughts of former vocalist Mark Stuart in my confident vote that Kings & Queens is possibly the best Audio Adrenaline record to date. On point in every aspect, there isn't a single weak song, each one holding immense potential to become a hit. While it varies in style and sound, the consistent theme of redemption throughout ties it together, making it an album you'll want to listen to again and again. Older fans will be surprised to hear how much of the original sound has crossed over into this new formation, yet old and new listeners alike will enjoy the exciting melodic prospects being presented here.
Without missing a beat, Kevin, Will, Jared, Dave and Jason have breathed new life into a name that has and will continue to deliver a life changing message to people all over the world--from the kings and queens in Haiti, to the beat-up and broken-down in our own backyard. There is no doubt about it: Audio Adrenaline is back and here to stay. In the words of a classic, 'That's the way, uh-huh, we like it.'" (source: NewReleaseTuesday.com
Kings & Queens peaked at #4 on the Billboard Christian charts and is still at #12 after 25 weeks on the chart. Here is the original studio released promotional video for the song:
"The Christian faith of Alice Cooper is without question, and Dragontown is his third release, along with The Last Temptation and Brutal Planet, to reflect that faith. Brutal Planet - an album with a theme that if no one believes in God we literally have a 'brutal planet' - is the first album in a three part series with the second, Dragontown, based around the concept that the road to hell is littered with nice guys with good intentions. From a musical standpoint, Dragontown features more of the same type of guitar driven hard rock backed by a down tuned low end found on Brutal Planet. In putting forth a performance as charismatic as ever, Alice's scratchy rough edged voice continues to remain a strong and steady presence. While Dragontown showcases solid musicianship from front to back, it is difficult to comment on specifics due to the high number of musicians participating on the project.
Dragontown features a good crisp and refined sounding production job. The rhythm guitar and rhythm section both come across full and heavy. The lead guitar evenly rises above the instrumentation.
... It's Much Too Late starts its first verse to a prominent bass line until the rhythm guitar takes over as it picks up in pace for a weak pop flavored chorus. The song talks about a nice guy who lives a good life but ends up in hell anyway:
I never kicked a dog, a child or my wife I never looked at pornography I swear it on my holy saint mother's life But somehow she's down here with me The road to hell is littered with nice guys with good intentions But once your there your there
It's much too late..." (source: AngelicWarLord.com)
Here is the original album video version of the song:
From the album Gut Level Music
(Alarma Records, 1986)
"... In 1986 the Altar Boys signed with the fledgling Frontline Records and proceeded to create the single greatest punk rock album in Christian Music history.
The maturity and growth in the band as musicians was only outdone by the growth of leader, vocalist and songwriter Mike Stand. Coupled with one of the coolest album covers ever, the album was filled with more melodic, well crafted and intelligent and authentic rock than the industry had seen before. While maintaining an evangelical approach and without compromising on mission or content, Mike and the band went into the studio and created their masterpiece.
Think about it this way; how many albums are known by the title’s initials?
GLM!
Stand may not have been the greatest singer within the genre but very few could ever match the authenticity and passion that he demonstrated on GLM. Like bands [such as] The Alarm and even U2, the Altar Boys demonstrated on GLM a true sense of belonging and approachability by portraying true and actual empathy for the subjects of the songs on this record. When Stand screams 'you are loved' you don’t just nod in agreement you firmly believe it and act accordingly.
... There is a Love ... could have just as easily been recorded by Jacob’s Trouble or even Daniel Amos, circa 1977!
We all sing songs of happiness and songs of pain I hear it all the time in the melodies we make A heart that grows cold makes some sad, sad music
Is there hope for him, Buddy listen in cause ..." (source: CCM's 500 Best Albums)
Here is the original album video version of the song:
"[This is] the single best glam rock, big hair white metal album in CCM history. Scott Wenxel’s unmistakable Ratt-like vocals may grow tiresome to some and sound dated to pretty much all, but Rex Carroll’s non-stop, fill every empty space with blazing guitar work is timeless.
Actually the dated sound of the album should not detract from this album any more than how Larry Norman, Randy Stonehill, Steve Taylor or Daniel Amos can sound dated at times. How did they sound during that date in question? They sounded like the very best the industry offered.
Other than the admittedly cheesy ballad You’re Mine (even the band didn’t include this when they redid the entire album from scratch a few years ago) the rest of the album reached rocking heights unmatched by even the spiked Aqua Net locks. Actually the band was less 'big hair' image-wise and more 'gutter' rock in appearance. The look was more Guns N Roses than Stryper.
The songs are simply, catchy and pure 80′s kitsch but with the best guitar work on any similar release. The guitar solo Nagasake is the stuff guitar gods are made of and the intricate and blazing fast fret work of Carroll takes a good song and catapults it to great. Who Will You Follow, Enough is Enough and Signs of the End are just sheer golden delights of 80′s metal excess…and in a really good way!
The band would change drastically after the departure of Carroll, but for one bright shining moment, Whitecross defined a genre and in doing so, created a lasting testament to all that is good about bandannas, spandex, zipper pants and Aqua Net." (source: CCM's 500 Best Albums)
Whitecross reached #17 on Billboard's Top Contemporary Christian Albums chart. In 2010, HM Magazine listed Whitecross #29 on its Top 100 Christian Rock Albums of All Time list stating that "listen to this album. It’ll blow your mind. It’s simplistic ‘80s metal to a fault (think Ratt with Jesus-first lyrics), but the shredding lead guitar by Rex Carroll in every fill, nook and cranny is primo." Heaven's Metal fanzine ranked it #4 on its Top 100 Christian metal albums of all time list.
Here is the original album video version of the song:
From the album Hallowed Ground
(Slash Records, 1984)
"After the surprise success of their landmark debut, Violent Femmes could have just released another collection of teen-rage punk songs disguised as folk, and coasted into the modern rock spotlight alongside contemporaries like the Modern Lovers and Talking Heads. Instead they made Hallowed Ground, a hellfire-and-brimstone-beaten exorcism that both enraged and enthralled critics and fans alike.
Like Roger Waters purging himself of the memories of his father's death through The Wall and The Final Cut, bandleader Gordon Gano uses the record to expel his love/hate relationship with religion, and the results are alternately breathtaking and terrifying. Contrary to initial public response, Hallowed Ground is not a parody. Gano, the son of a Baptist minister, may wear his faith like a badge of honor, but it's a badge, not a shield, and what keeps the songs so volatile is the fact that they're filtered through the eyes, ears, heart, and loins of a teenager. Like the first record, all of the songs on Hallowed Ground were written during Gano's high-school years -- he was barely in his twenties when it was released -- resulting in a perfect rendering of the sweetness and brutality of the postpubescent teen ...
Christian imagery aside, Hallowed Ground is not as polarizing as some make it out to be. ... The Femmes are nothing if not true to themselves, and Hallowed Ground is a testament to their tenacity, courage, and sheer obliviousness to industry ogling. Each track is as naked as it is bursting with ideas, and as the landscape changes, the band changes with it, leaving the listener at a crossroads; with each incantation, growling invective, and honey-whispered promise, they're forced to either jump off the gospel train or ride it along with them into the mouth of Hell." (source: AllMusic.com)
One of the things that makes Hallowed Ground such a brilliant song is in the brevity and conciseness of the lyrics. The song starts with a quote from Hosea 9:7 setting the tone for what is to follow.
"The profit is a fool, the spiritual man is mad, For the multitude of thine iniquity, and the great hatred."
In the first verse Gano references the coming apocalypse (Armageddon?) and a lost generation searching in vain for shelter.
Everyone's trying to decide, Where to go when there's no place to hide. I follow the bombs as they're coming down. This must have been hallowed ground.
In verse two Gano boldly declares his faith in the eternal Lord and risen Savior, Jesus Christ, the "one they can't bring down."
No matter what they decide to have done. Burn up the clouds, block out the sun. My hope is in one they can't bring down. My soul is in hallowed ground.
The third verse is an alter call of sorts inviting the listener to join him at the cross.
I see the fear, it's on the rise. Let's catch the enemy by surprise. Bury your treasure where it can't be found. Bury it deep in hallowed ground.
Here is the original album video version of the song:
From the album Live at Red Rocks: Under a Blood Red Sky
(Island Records, 1984)
"When U2 originally played their 1983 concert in the gorgeous setting of Colorado's Red Rocks Amphitheatre, they hadn't quite conquered the world yet, but they were well on their way.
It was on that same tour in support of the band's third album War, that U2 would play before 300,000 people at Southern California's US Festival — their biggest audience to date at the time. Even if they weren't quite yet the megastars we know them as today, back then the band was still playing with the sort of fire and hunger that would serve them so well on their way to becoming one of the biggest bands in the world.
That same youthful energy is beautifully captured on the newly restored Live At Red Rocks. Part of Island Records ongoing U2 remastering project that began earlier this year with the band's first three albums, Boy, October, and War, the concert is now available on DVD for the very first time (it was originally released on VHS video). The video footage here has been beautifully restored and is topped off by a 5.1 audio remix. Five previously unavailable songs have also been added.
But the real treat here is seeing U2 once again as the hungry young band they once were — playing as though their lives depended on it. Bono in particular is a house of fire here, grinning [an] ear to ear grin as the band takes the stage with a ripping version of Out Of Control. Bono clearly knows how lucky he is to be here. You can see it in his eyes as he prowls and works every inch of the stage on classic U2 songs like Gloria and I Will Follow.
It's a little hard to believe that this wide-eyed mulleted kid seen here is the same Bono who would later have private audiences with presidents and popes, although the politics do creep into the mix on War's Sunday Bloody Sunday, which Bono intros by saying 'this song is not a rebel song.'
Likewise, it's a bit strange to think that U2 was once regarded as a punk rock band. Especially since The Edge's ringing guitar powers the band's sound on this DVD in a way that all but screams big arena rock. Still, the energy level approaches punk levels more often than not, and the rhythm section of bassist Adam Clayton and drummer Larry Mullen doesn't let up here for a second.
The bottom line is that as great a band as U2 remain, they've never really just all-out rocked the way they do here. Not in all the years since." (source: BlogCritics.org)
The song originally appeared on the War album, but this live version is far more moving and powerful. the lyrics were taken directly from Psalm 40.
I waited patiently for the Lord. He inclined and heard my cry. He brought me up out of the pit Out of the miry clay.
I will sing, sing a new song…
How long to sing this song?…
You set my feet upon a rock And made my footsteps firm. Many will see, many will see and hear.
I will sing, sing a new song…
How long to sing this song? …
Here is the original album video version of the song:
From the album The Answer to the Question
(Inpop Records, 2004)
"Tree63 has undergone some major changes since the release of The Life and Times of Absolute Truth in 2002. Bass player Martin Engle and drummer Darryl Swart left the band in 2003, leaving John Ellis as the only original member. On the Tree63 website, John has stated that Tree63 is a 'whole new band.' Those words always strike fear into the hearts of every fan.
Rest assured Tree63 fans, The Answer to the Question is Tree63's strongest album to date. From the opening notes of the anthem King, it's clear that Tree63 have returned to their roots (pun intended). The Answer to the Question carries a slightly more aggressive sound than The Life and Times..., the production is polished to perfection, and John Ellis's songwriting and musicianship has matured greatly.
Following King is the first radio single from The Answer..., a cover of Matt Redman's song Blessed Be Your Name. Tree63's version is great, and fits well on the album, however it seems to lack the passion Redman's version delivers. ...
The Answer to the Question combines the best elements of Tree63's self-titled release and The Life and Times to deliver an amazing worship album that should be a part of everyone's modern worship collection." (source: JesusFreakHideout.com)
Tree63's recording of Matt Redman's Blessed Be Your Name helped to spark the song's popularity. It won a Dove Award for Worship Song of the Year and was also nominated for Song of the Year. Chris Tomlin described Tree63's rendition of Blessed Be Your Name as '...the definitive recording of one of the most all-encompassing songs in the entire world of Christian music.' CCM magazine named it as the number 3 Praise and Worship song of all time. Here is the original album version of the song:
From the album Psycho Surgery
(Metal Blade/Intense Records, 1991)
"Sporting the best line-up for the band and the line-up most closely associated with the band’s best years, Psycho Surgery is a flawless tour de force of thrash metal from the early 90′s.
The high pitched screams of Guy Ritter’s vocals is replaced with a more guttural rock attack while the rest of the band combines the best of classical speed metal with the thrash metal of the day. Fast, intricate and precise. Here the band also infuses more of classical music into it’s ferocious attack, including the intro which sounds like an orachestra warming up.
But it is the lyrical content that has always set the band apart. The constant theme of medical terminology relating to spiritual truths reaches a climax on this album as drummer Ted Kirkpatrick's history in the medical field comes in handy. A Phsychosurgery (one word is proper and is used on the later re-release of the album) is related to the failed history of frontal lobotomies in the medical world and the band relates those failures to the human condition.
The band could take very universal and simple topics and make them sound totally different using intense and technical terminology. Almost a reverse of most writers whose goal it is to simplify the complex. Songs range from abuse (Dysfunctional Domicile) to the world and church’s response to the handicapped (Broken Chromosomes).
Though a Frontline Records band, this album was also distributed by Metal Blade records and the mainstream market took notice. Utterly original and musically intricate and captivating the band maintained a level of quality few others ever reached." (source: CCM's 500 Best Albums)
The album and the song both received Dove Awards for Metal Album of the Year and Metal Recorded Song of the Year, respectively. Here is the original album version of the song (scroll down for lyrics):
LYRICS
Cranial vault the mind's map paved by heart and soul's aim Transfer of DNA forms the cerebral mainframe Just like a computer garbage in - garbage out Subdural detour shuns the embrace of logic and reason Shrouded in doubt
Divine mental biopsy reveals you need psycho surgery The renewing of your mind by cosmic mirror
Spiritual angiography illustrates the mind's sorry state Barnacle ridden psyche man's own demise to demonstrate Burrowing mole exposes the dry rot within Abundance of wormwood, euphorism for sin
Divine mental biopsy reveals you need psycho surgery By His Spirit the symptoms are starting to clear
Blind cavefish, inbred victim of ocular atrophy Inky blackness everywhere, there's no reason to see Wait is someone there? I can feel the heat Limbs wax useless, help me, can't rise to my feet
Divine mental biopsy reveals you need psycho surgery A shred of truth is illuminated by miner's light Divine mental biopsy reveals you need psycho surgery From the first touch a faint pulse begins to appear
From the album Wherever You Are
(Essential Records, 2005)
"On the heels of what may be considered one of the best albums produced by the veteran Atlanta-based rock band yet, Third Day releases their latest project, Wherever You Are. The album bears a central theme of hope and redemption from start to finish, aiming at the church and unsaved alike to bring some light to the dark times in their lives. In fact, the rocking opener Tunnel bears a verse that about sums up the entire album's focus, You've got your disappointment and sorrows / I'm going to try to give a little hope to you.
Third Day sets out to accomplish in the fifty two minutes of Wherever You Are what most tend to try to do in just one song. It's a big task, but a desperately needed one. In the midst of a time where natural disasters and war are plaguing many parts of our world, not to mention problems within our own households, having hope almost seems foolish. But Wherever You Are reminds us that God is in control through everything, and like the ballad and album's first single Cry Out To Jesus suggests, He's only a prayer away. To some, Wherever You Are could appear idealistic, but the truth of the matter is, it's realistic, giving a hearty reminder to the listener that each and every time we fall, there's a Savior there to lift us right back up again.
...
Overall, Wherever You Are helps fill a void in the music scene. In a time where either mainstream is offering trite, empty ear candy, or a lot of Christian music is encouraging the believer to take an idealistic 'don't worry, be happy' approach to life, Third Day's Wherever You Are meets the listener where they are at on a personal level. It may not be the band's best album to date, but it's certainly a good one, and an album to lift your spirits wherever you may be." (source: JesusFreakHideout.com)
Tunnel peaked at #7 on the Hot Christian Songs chart and at #8 on the Christian Adult Contemporary chart. Here is the original album version of the song:
469. Chris Taylor - Worthless Pursuit of the Things of the Earth
From the album Worthless Pursuit of the Things of the Earth
(Rhythm House, 2000)
"Former lead singer of the much under-appreciated alternative band, Love Coma, Chris Taylor has gone on to a solo career that has produced some incredible music. Worthless Pursuit is the strongest of the solo projects and easily qualifies as an Album-You-Should-Own.
Love Coma’s alternative rock gives way to a more Americana rock and roll for fans of Mike Roe, Robert Vaughan and the Dime Store Prophets. Acoustic based electric rock with a touch of southern soul. This, mixed with creative and insightful lyrics, makes for a strong project that still holds up well one decade later. There are also touches of World Party, Jeff Buckley and Bob Dylan. The album was actually nominated for a Dove Award.
Lyrical content attacks everything from modern materialism on the title track to a look at the life of Christ in Thirty-Three. Sad Day in Heaven looks at the pain the Lord feels when His people are unable to live lovingly toward each other. Taylor’s penchant for writing extremely lengthy songs was tempered a bit on this project though most do hit near the 5 minute mark, but the songs are so strong the length is never really an issue." (source: CCM's 500 Best Albums)
Here is the original studio released video for the song:
"Cutting Edge is a really odd album in that, for some reason, even fans of hard rock and metal seem to like the album with several 'heavy music' publications giving the album a great review. Perhaps it was the artwork and themes, but no matter, the album is one for the ages.
The theme of spiritual perseverance and courage kicks off with the Toto inspired Runnin’ To Win. Great guitar work meets nice saxophone solo in a break that also features great keyboard work. But it’s still primarily about Duncan’s vocals. Though a noted R&B and soul singer, his rock chops are not to be ignored.
It should be noted that the Toto comparisons should also be tempered with the fact that there is more musically going on here than just corporate rock. There are touches of Ambrosia, Hall & Oates and others as well. There is still a strong soul vibe and no rock band could put together a ballad like SCB. No one!
...
The album closes with a rocker, which was actually kind of a rare experience for the day. There always seemed to be a tendency for rock artists to close their albums with the big ballad, but here the band hit it hard with Armed and Ready. This would be the closest thing to a title track with its Spiritual Warfare theme and great rock anthem feel. It is also the lyric that provides the album’s name. Think the band Europe and you know what you’re in for.
As one of the great, possibly unheralded bands of the early 80′s, SCB brought a level of quality and accomplishment to CCM that few others even came close to. While Petra would repeat musical and lyrical themes over and over, SCB brought a fresh perspective and sound to almost everything they did.
Many argue this was SCB’s finest work and I really cannot argue, though I find another album more satisfying as whole. I will not argue or begrudge someone for ranking this album higher as it is one of the truly great rock albums of the era." (source: CCM's 500 Best Albums)
Here is the original studio released video for the song:
467. Donna Summer (ft. Matthew Ward) - Love Has a Mind of It's Own
From the album She Works Hard for the Money
(Mercury, 1983)
"Donna Summer's brassy, matter-of-fact mezzo does not play the sexy sanctified diva, and her musicians' crisp, loud beats don't evoke rapture or delirium. Instead, she and her rhythm men live up to the title of She Works Hard for the Money. Here's praise for a waitress' 12-hour workday that sums up Summer's own post-dance queen job status, as well as disco fans' own spotlighted lives and maintains the pressure, from the steel-and-synth riffs of Stop, Look & Listen to the impatient tenderness of People, People. No one writes about love with as mesmeric a sense of wonder as Summer confesses in Love Has a Mind of Its Own, Unconditional Love, and I Do Believe (I Fell in Love). (source: AllMusic.com)
Love Has a Mind of It's Own was the fourth hit single from the album but should have done much better than it did. It still peaked at #19 on the Billboard Adult Contemporary chart, but only reached #70 on the Hot 100. Here is the original studio released video for the song:
From the album Comatose
(SRE Recordings/Lava, 2006)
"It's been nearly three years since Skillet first released their last project, Collide. Now ready to unleash Comatose, their latest rock production, the band has returned with their seventh album, once again pushing their creative boundaries musically and lyrically. Skillet's never been known to be confined to the trappings of a single genre. Since their start, they've transitioned - even drastically at times. For Comatose to appear as a significant departure from Collide, it should pose as no surprise at all.
While Collide possessed more raw energy than had been heard from the band since their 1996 grunge rock self-titled debut,Comatose reinstates more of the synth elements from other recent recordings. Throw plenty of new tricks into the mix and the end result is what could easily be their most diverse project yet. Comatose opens with a burst of string-laced hard rock in the form of Rebirthing and The Last Night, boasting more melody, lush synths, and keyboardist Korey Cooper's passionate vocals. From its start, it's clear the kind of record Comatose is thematically. Rebirthing is a sort of anthem for finding new life in Christ, while The Last Night directly addresses the desperation so many young people face that leads to addictive and self-destructive behavior (like cutting, for example). Positive and encouraging themes run amuck on this album, and it's music to the listener's ears.
...
Those who enjoyed the more raw rock stylings of their previous effort may be in for a surprise with Skillet's latest album, Comatose. Filled with big songs from beginning to end, Comatose relies on more theatrics to build their sound while delivering substance at the same time. A call to action for believers and a love letter to those going through difficult times, Comatose is a strong and adventurous addition to Skillet's already impressive catalog." (source: JesusFreakHiedout.com)
The Last night peaked at #1 on the Christian Hit Radio chart and the Christian Rock chart. It reached #16 on the Christian Hot Songs chart and even hit #38 on Billboard's Mainstream Rock chart. Here is the original studio released video for the song:
"Beckah Shae made her debut in the music industry in 2006 with her first CD, Butterfly. ...
I didn't know what to expect when I picked up a copy of Life, which has 13 songs on it, including the title song. I had only known of Shae from seeing her name along with Toby Mac's on the song Funky Jesus Music. I enjoyed her in that song, so I decided to try to check out her solo work.
The songs range from electronic, almost Ke$ha-sounding pop to soulful songs that sound vocally similar to Rihanna. Regardless, each song has its own catchy beat and lyrics that easily get stuck in your head.
For example, the next time you feel down, try listening to track number six, I'm Beautiful. It's good for an instant self-esteem boost, and you'll be singing the lyrics to yourself the rest of the day.
Another good song is the title song, Life. It's one of the songs with a dance club sound and a thumping backbeat. However, instead of being about mindless partying and hookups, Life has a more positive message about, well, life. This is another song that you'll probably be humming for a while.
If dance music isn't your thing, there are still songs on this album you'll enjoy. Try one of the slower songs like Imagine or Here In This Moment (Candlelight Mix).
...
Overall, the CD was extremely good. In the era of Auto-Tune, it's getting harder and harder to find artists with genuine talent and to distinguish them from the ones who get some help from the recording studio. Shae belongs to the former group. You can't deny that.
All you really have to do is listen to a few of her songs, and you will realize that this woman has talent. Shae is an example of the mix of pure genuine talent and amazing songs it takes to make a good singer." (source: LancasterOnLine.com)
Here In This Moment is Beckah's biggest hit to date, peaking at #6 on the Christian Hit Radio chart and #31 on the Christian Hot Songs chart. Here is the original album version of the song:
And here is the above mentioned Candlelight Mix featuring only Beckah and a piano.
464. The Seventy Sevens - The Rain Kept Falling In Love
From the album "Pray Naked"
(Brainstorm, 1992)
"What’s a band to do?
Despite the rampant rumors that even a cool label like Brainstorm, run by Ojo Taylor (Undercover) had to change the album cover, name of the album and black out the name of a song on one of your best albums, an album that was to re-introduce the band the CCM market after several years of not releasing any new music to the general public, ... it has been confirmed to me that the decision to do so was the band's, and not the record companies.
The funniest part is that every consumer, retailer and rock radio guy knew the album, officially their second self-titled release, was really called Pray Naked. The record company sales people told their retailers, the consumers knew the band and what was coming and rock radio guys are about as hooked into the industry as anyone gets.
...
The point here is, that no matter what they call, it’s a ... great album. It is easily the best 'instrumentally focused' album of the band’s career and remains a personal and critical favorite some two decades later. Leader Michael Roe shows here why he is the most underrated rock guitarist in Christian music and one of the most diverse and creative songwriters in the genre.
...
The next two songs employ the image of rain to express the feeling of loss and need. Deep End finds Roe feeling the pain of loss in the lonely setting while The Rain Kept Falling in Love finds hope in the refreshing nature of the same rain. The first is a straight mid-tempo rocker that fills the album while the latter has a touch of reggae back-beat and remains one of the more commercial sounding songs on the album.
...
Despite controversy, the album found an audience (though never as large as this amazing band deserved) and remains a fan favorite now 20 years later." (source: CCM's 500 Best Albums)
From the album Now You See Me, Now You Don't
(EMI, 1982)
"I do believe the only artist on this list to be officially 'knighted' is Cliff Richard. Not bad for a pop star and teen heart throb from the 1950′s and 60′s. Then again John Lennon was a fan and he is said to be the first real 'rock star' from Great Britain. Sir Cliff Richard has also been a devoted Christian and has recorded several Gospel themed albums. The one in question here is the very best as it is simply a pop album with Gospel themes rather than a Gospel album that tries to sound pop.
The album is also unique in that it also generated a comeback of sorts for the artist in his native land after several years of unsuccessful pop albums. NYSMNYD went Gold in England and had several radio hits on both side of the Atlantic.
Released in 1982 Christian music was constantly gravitating toward 'pop stars' who professed a Christian belief (Bob Dylan, Joe English), but this album never saw Christian distribution and many missed this great album. Thief in the Night is a much heavier song musically than the normal Richard bubble gum and is the center piece to the whole project. It rocks and like the rest of the albums sounds like it was influenced by Mark Williamson and Chris Eaton.
The album has a bit of an Ambrosia feel with silky, pop driven rockers and big ballads meant for radio consumption. But the rockers stand out like the previously mentioned Thief in the Night and the bombastic Son of Thunder. Little Town, the Chris Eaton arranged version of O Little Town of Bethlehem would also be recorded by Amy Grant and Michael W Smith. Richard’s version would be the best.
One last song of note is the song Christian radio gravitated to; The Water is Wide is a stunningly beautiful remake of the traditional tune. Simply, if not a bit over-produced, the song would chart on CCM radio and be Richards only real CCM hit. He would later do a duet with Van Morrison that would also hit CCM radio." (source: CCM's 500 Best Albums)
This song was available on YouTube when I added it to the list. Unfortunately, since then EMI has chosen to block it in the US. I did find the video on Facebook (all but the first couple of seconds) however. Click the link below to hear the original studio album version of the song:
"Aussie rockers Revive feel as comfortable as ever in their own skin on their second helping of worship-based atmospheric arena rock. Following the success and acclaim of their debut, Chorus of the Saints, which landed them a New Artist of the Year Dove nod, Revive dug deeper to pull out a more meaningful, broad-based theme on Blink. Their sophomore effort finds them nestled naturally among the faith-inspired approaches of Switchfoot, Bluetree, and Needtobreathe. The band experienced its first lineup change with former Nevertheless guitarist A.J. Cheek replacing Tyler Hall, who moved from the band's new home in Atlanta back to his native Australia. The addition benefits the group, as Cheek's fierce yet subtle approach works not only on upbeat congregational-style worship but also on the thought-provoking slower numbers here. Lead vocalist Dave Hanbury seems perfectly comfortable varying the tone between the Snow Patrol-like sheen of Something Glorious and the understated OneRepublic sound of the title track and All of This for You.
Revive weave together themes of living in the moment in surprisingly original fashion, capitalizing on their improved songwriting skills and the Midas touch of production team Jason Ingram (Bebo Norman, Tenth Avenue North, Brandon Heath) and Rusty Varenkamp (Rush of Fools). Some of the album's subtleties come across after repeated listens to this diverse and enjoyable collection of inspirational messages set to modern rock." (source: Allmusic.com)
Here is the original studio album version of the song:
"... [A]ll of a sudden, Relient K has experienced a musical revolution. Their brand new full length, Mmhmm, is being released on Capitol Records. A major label release for this goofy band? Is it possible? The answer is yes. Relient K’s latest effort is a blast of pop-punk goodness. Every song has a killer hook, the vocals are smooth and melodic, the production is amazing, and the lyrics are *gasp* actually really good – and at times very mature. It all seems like a bit much for this 3-piece, but it’s time to believe it – Relient K is back with a much more mature formula for success.
That being said, Relient K still writes great pop-punk music. Don’t expect any change in tempo, the band still brings it hard and fast. The opener The One I’m Waiting For kicks the album into gear right off the bat. Fast-paced and full of group-vocals and punching guitars, Relient K proves they are different this time around. The vocals are more aggressive, they don’t sound whiney anymore. The album continues on with one great track after another – the album essentially has no weak parts to it. ...
Next on the album is my personal favorite track, I So Hate Consequences. Immediately this track sounds different from the others, hard driving drums and dark guitars lead into the spectacular verse, complete with my favorite lyric: So here I sit looking at the traffic light The red extinguishes the hope that the green ignites I want to run away, I want to ditch my life Because all of my mistakes keep me awake at night
The remainder of the album is stellar as well. ...
I really have no major problems with this record. It’s the best pop-punk album I’ve heard all year. It’s uplifting and happy, but not sappy. The only thing that prevents this album from getting a higher score is the fact that it is still fairly standard pop-punk, though done extremely well. While the sound is much more mature, it is not groundbreaking. I don’t know how much staying power this band has. After a few slower piano tracks, the later tracks on the album begin to run together a bit – until Life after Death and Taxes. Mmhmm is even complete with the token acoustic track at the end – albeit a good song.. But for the genre, Relient K does what they do near perfect. Fans of any pop-punk/rock band – The Starting Line, Fall Out Boy, Something Corporate – will eat this album up, though I don’t believe enjoyment is limited to fans of any specific genre. Relient K is back and they are serious this time. Go pick up this album today." (source: AbsolutePunk.net)
Here is the original studio album version of the song:
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